I finally completed “Firs in the Fog”, my culminating project for a design class I took in 2012-13. The class covered design principles like scale, proportion, value, and balance. It really was an art class for quilters and for the final project we were to pull all the lessons together in a single work. For a long time I’ve been fascinated with fog and how it hangs in the valleys and washes away color in the landscape. Fir trees become abstracted and their color value diminishes with distance. Just about the time of the final assignment, we had a really foggy period and I got some photos for inspiration. Dark fabric forming the tree contrasts with the lighter indistinct tree forms and brings the tree forward. Larger patches ground the image and large amounts of foggy negative space balances the strongly contrasting foreground tree. The Rule of Thirds drove the tree placement and my inspiration photo stayed on my design wall for reference while placing the patches. The aspects of this design which made me work hardest were color and value. You would think fog would make everything flat gray, almost achromatic, but fog has the subtle color of the greens and browns in the landscape. Those light and light medium warm and cool grays are hard to find in fabric. I cut many squares of fabric trying to replicate nature’s gradation. While I had my quilt top finished for the final class, the quilting choice simmered for a long time. I wanted a texture which would further soften the design and would mimic the billowy nature of fog. A serpentine stitch in gray thread turned out to be the winning option. A facing (a first for me) finishes the edge of the quilt without adding another design element.
- Title: Firs in the Fog
- Original design
- Started March 2013, Completed January 2015
- Size: 19 3/8 inches wide x 27 3/4 inches long
- Quilting stitch: Bernina 440 Stitch 04, stich length 3.0, width 5.5
- Quilting thread: Aurifil 2600, 50/2 weight
Takeaways from this quilt: The two mantras from the design class – “Make visual decisions visually” and “Color gets all the credit, value does all the work”
Favorite things about this quilt: the subtle, almost achromatic color, the value gradation, the facing which was not nearly hard as I thought thanks to Victoria Gertenbach’s tutorial on The Silly BooDilly.
Things to try next time: the faced finish, pixelated design (got to use up the gazillion squares I cut), similar design in a larger scale